Morton Feldman: The Viola in My Life #4 (1971)

Heiichiro Ohyama, viola
Los Angeles Philharmonic Orchestra
Michael Tilson-Thomas, conductor

Feldman wrote a series of pieces by this name in honor of his wife, Barbara Monk. This performance was billed somewhat pretentiously as the “Los Angeles première”. It was recorded live on 21 November 1982 at Royce Hall on the UCLA campus.

aircheck 20 February 1983, 1305–1325h, KUSC-FM Los Angeles
(Por si la palabra «aircheck» no se traduce bien, sabed que significa una grabación sacada de la radio, a veces de un evento difundido en vivo, más comúnmente de un evento grabado en vivo para emitirse otro día. De costumbre los airchecks se identifican por las siglas de la radiodifusora y la fecha de emisión.)


The Viola in My Life #4
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Alfred Schnittke: Requiem

Requiem, music to Schiller's drama “Don Carlos” for soloists, mixed chorus, and instrumental ensemble In fourteen movements, op. 101 (1975)

Helga Therme and Gisela Burghardt, sopranos
Heidi Riess, mezzo-soprano
Albrecht Lepetit, tenor
Hermann Christian Polster, bass
Dresden Kreuzchor and Dresden Philharmonic Orchestra and Choir
Martin Flämig, conductor

live performance 26 May 1982 in the Dresden Kreuzkirche
Dresden Festival 1982

Toward the end of his life, Schnittke was lionized by the West, partly because his style was more Western than Soviet.

aircheck 29 January 1983, 2000–2037h, KUSC-FM Los Angeles
(Por si la palabra «aircheck» no se traduce bien, sabed que significa una grabación sacada de la radio, a veces de un evento difundido en vivo, más comúnmente de un evento grabado en vivo para emitirse otro día. De costumbre los airchecks se identifican por las siglas de la radiodifusora y la fecha de emisión.)


Schnittke Requiem
51.7 MB - no password

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Brahms-Schoenberg: Piano Quartet

Johannes Brahms: Piano Quartet in g, op. 25, as orchestrated by Arnold Schoenberg
Allegro
Intermezzo: Allegro ma non troppo
Andante con moto
Rondo all’Zingarese: Presto

Los Angeles Philharmonic
Simon Rattle, conductor

Schoenberg’s orchestration of Brahms’s chamber work exaggerates the inherent romanticism, filling the piece with denser harmonies and stranger timbres. Rattle manages not only to keep the piece from becoming slapstick but also brings out melodies hidden among the many instruments.

aircheck 27 February 1983, 1300–1400h, KUSC-FM Los Angeles
(Por si la palabra «aircheck» no se traduce bien, sabed que significa una grabación sacada de la radio, a veces de un evento difundido en vivo, más comúnmente de un evento grabado en vivo para emitirse otro día. De costumbre los airchecks se identifican por las siglas de la radiodifusora y la fecha de emisión.)


Rattle conducts the Brahms-Schoenberg
65.2 MB - no password

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Richard Wagner: Dawn and Siegfried’s Rhine Journey (Götterdämmerung)

Minnesota Orchestra
Neville Marriner, conductor

This performace dates from when Marriner, as the music director of the Minnesota Orchestra, began venturing deeply into Romantic repertoire. The precision and moderation that made his reputation with Baroque and Classical pieces work surprisingly well with Wagner.

aircheck 20 February 1983, 1330–1400h, KUSC-FM Los Angeles
(Por si la palabra «aircheck» no se traduce bien, sabed que significa una grabación sacada de la radio, a veces de un evento difundido en vivo, más comúnmente de un evento grabado en vivo para emitirse otro día. De costumbre los airchecks se identifican por las siglas de la radiodifusora y la fecha de emisión.)


Wagner by Marriner
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Steve Reich: Tehillim (orchestral version)

Julianne Baird, Cheryl Bensman, Jane Bryden, sopranos
Kimball Wheeler, mezzo-soprano
New York Philharmonic Orchestra
Zubin Mehta, conductor

The name of the work is Hebrew for “psalms” or “praises”. Its lyrics are drawn from Psalms 19, 34, 18, and 150. One of Reich’s more lyrical works; he manages to achieve his signature beat-frequency effects by playing five similar voices off one another.

world première performance of the orchestral version
recorded live 16 September 1982
Avery Fisher Hall at Lincoln Center, New York City

aircheck 12 February 1983 1230–1300h, KUSC-FM Los Angeles
(Por si la palabra «aircheck» no se traduce bien, sabed que significa una grabación sacada de la radio, a veces de un evento difundido en vivo, más comúnmente de un evento grabado en vivo para emitirse otro día. De costumbre los airchecks se identifican por las siglas de la radiodifusora y la fecha de emisión.)


Reich Tehillim orchestral première
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The Chamber Music Society of Lincoln Center, live 1982

The Emerson Quartet
Walter Trampler, second viola

Wolfgang Mozart: String Quintet in g, K. 516
Ludwig van Beethoven: String Quartet in C, op. 59/3, “Rasumovsky”
George Crumb: Vox balaenae (Voice of the Whale)

For many decades now, the CMSLC has been a somewhat fluid group of musicians, originally all members of the New York Philharmonic, that the Lincoln Center draws from each season to perform chamber works involving a wide range of instruments. This evening, most likely from the 1982 season, assembled five strings, a flute, and a piano to present one piece each from the eighteenth, nineteenth, and twentieth centuries, all surprisingly well suited to each other.

aircheck 27 April 1983 2100h KUSC-FM, Los Angeles
(Por si la palabra «aircheck» no se traduce bien, sabed que significa una grabación sacada de la radio, a veces de un evento difundido en vivo, más comúnmente de un evento grabado en vivo para emitirse otro día. De costumbre los airchecks se identifican por las siglas de la radiodifusora y la fecha de emisión.)


Emerson Quartet at Lincoln Center
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Bernard Rands: Canti del Sole

Canti del Sole for tenor and chamber ensemble (1983)

Paul Sperry, tenor
Los Angeles Philharmonic New Music Group
William Kraft, conductor

KUSC identified this as the première performance of the chamber version of Canti del Sole, recorded live at the Japan America Theater on 13 February 1984. Rands’ own chronology shows that he conducted the first performance with Paul Sperry and UCSD’s modernist chamber ensemble “SONOR” at some point in 1983.

Bernard Rands (accent on his first syllable) was the composer in residence at the University of California, San Diego, at the time of this performance. He is British and his compositional style owes much to Benjamin Britten. He received a Pulitzer Prize for the orchestral version of this work … it bears mentioning, however, that people often nominate themselves for Pulitzers.

Recorded from a broadcast by KUSC-FM Los Angeles on 30 December 1984.


Rands Canti del Sole chamber version
36.9 MB – no password

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Gluck: Orfeo ed Eurdice

Orfeo: René Jacobs
Euridice: Marjanne Kweksilber
Amore: Magdalena Falewicz
National Opera of Belgium
Sigiswald Kuijken, conductor

Kuijken recorded this original version (Vienna 1762) with La Petite Bande and the same soloists in 1982. Here he is conducting his country’s national opera orchestra after first instructing its musicians in eighteenth-century techniques. (For an idea of how that was done, listen to the interview with Frans Brüggen from his concert of 1 May 1985.) This live performance was recorded from a broadcast on KUSC-FM Los Angeles in 1984.


Glück Orfeo ed Euridice by S. Kuijken
145.3 MB – no password

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